I (Judy Shintani) just finished up two pieces which had to submit today to the Women Artists on Immigration Show. The show is organized and presented by Women’s Caucus for Art with the Korean Cultural Center, Los Angeles.
This piece is called Motion. I am conveying the push pull nature of immigration. Events which may push some one to move to another location are: natural disasters, wage rates, war, genocide, abuse. Education, relationships, jobs, self expression are things that could pull one to move to another country, state, town. I wanted to convey these different motivations that cause a stream of people to move small distances or around the world. I think about my grandparents who moved from Japan to the USA. People have been immigrating for a long time and they will continue to do so. The deteriorating propeller gives that sense of time.
This piece is called Bottom Drawer. While I was working with my friend Carla to remove overgrown plants from their pots, all these lovely, crawly, dark, roots appeared. They were completely root bound and had to be pried out. They had grown around and around into a big ball in the bottom of the pots. It made me think of unsaid, unseen things. For example what were the experiences of my grandparents immigration? I know some of their hardships. I know they were imprisoned on American soil during the war, but these experiences I did not hear about from their lips. They either died before this could be communicated or were not discussed. Bits and pieces have been expressed by their children but I do not have the whole story. My life goes on and I acknowledge I am here because of their desire to leave their homeland and explore something else. I don’t think about it that often. We put a lot of things in the “bottom drawer” and they see the light of day when we decide to pull it open.